The Landscape of Stalinism: The Art and Ideology of Soviet

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The Landscape of Stalinism: The Art and Ideology of Soviet Space (Studies in Modernity and National Identity)

This wide-ranging cultural history explores the expression of Bolshevik Party ideology through the lens of landscape, or, more broadly, space. Portrayed in visual images and words, the landscape played a vital role in expressing and promoting ideology in the former Soviet Union during the Stalin years, especially in the 1930s. At the time, the iconoclasm of the immediate postrevolutionary years had given way to nation building and a conscious attempt to create a new Soviet â€œculture.â€ In painting, architecture, literature, cinema, and song, images of landscape were enlisted to help mold the masses into joyful, hardworking citizens of a state with a radiant, utopian future -- all under the fatherly guidance of Joseph Stalin.

From backgrounds in history, art history, literary studies, and philosophy, the contributors show how Soviet space was sanctified, coded, and â€œsoldâ€ as an ideological product. They explore the ways in which producers of various art forms used space to express what Katerina Clark calls â€œa cartography of powerâ€ -- an organization of the entire country into â€œa hierarchy of spheres of relative sacredness,â€ with Moscow at the center. The theme of center versus periphery figures prominently in many of the essays, and the periphery is shown often to be paradoxically central.

Examining representations of space in objects as diverse as postage stamps, a hikersâ€™ magazine, advertisements, and the Soviet musical, the authors show how cultural producers attempted to naturalize ideological space, to make it an unquestioned part of the worldview. Whether focusing on the new or the centuries-old, whether exploring a built cityscape, a film documentary, or the painting Stalin and Voroshilov in the Kremlin, the authors offer a consistently fascinating journey through the landscape of the Soviet ideological imagination.

Not all features of Soviet space were entirely novel, and several of the essayists assert continuities with the prerevolutionary past. One example is the importance of the mother image in mass songs of the Stalin period; another is the "boundless longing" inspired in the Russian character by the burden of living amid vast empty spaces. But whether focusing on the new or the centuries-old, whether exploring a built cityscape, a film documentary, or the painting Stalin and Voroshilov in the Kremlin, the authors offer a consistently fascinating journey through the landscape of the Soviet ideological imagination.
Country USA
Brand University of Washington Press
Manufacturer University of Washington Press
Binding Paperback
ItemPartNumber 35 illustrations, notes
UnitCount 1
EANs 9780274714704
ReleaseDate 0000-00-00

Country	USA
Brand	University of Washington Press
Manufacturer	University of Washington Press
Binding	Paperback
ItemPartNumber	35 illustrations, notes
UnitCount	1
EANs	9780274714704
ReleaseDate	0000-00-00

The Landscape of Stalinism: The Art and Ideology of Soviet Space (Studies in Modernity and National Identity)

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